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For the
past twenty years, Paulette Nejko has been working in the Japanese
methods taught by Toshi Yoshida. This approach to printmaking looks more
painterly and holds greater possibilities for expanding the medium.
Nejko creates her prints by first carving into one inch, cherry blocks
of wood. The artist carefully selects these blocks; they are free of
knots and are a center cut, to prevent warping. Nejko draws her design
onto these blocks of wood and carves away the portions of negative space
with Japanese tools. She designates two or three colors for each side of
the block of wood and uses between two and six blocks for each design.
Nejko creates the print by pressing dampened, handmade paper over each
of the cherry blocks, which have been hand-painted with watercolor. The
resulting print displays soft, luminescent images that showcase Nejko’s
sensitivity to color and form. Printed in editions of 150 or less, each
of Nejko’s prints are unique pieces of art, reflecting the subtleties
achieved through hand-pulled prints.
Paulette Nejko has exhibited her work throughout the Northeast in
galleries and shows. She has achieved recognition among her peers with
membership to Audubon Artists Society in New York where she has
exhibited her work since 1992.
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Her work has also received national
awards from juried shows at the Summit Art Center (New Jersey), Women’s
Hall of Fame (Seneca Falls, New York), and the Parkside National Print
Exhibition (Wisconsin). At the present time her prints are being sold
through the Gnidziejko Gallery and can be found in other galleries and
short term shows.
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